In this paper I suggest three analytical strands to assess the governance of cultural diversity in contemporary cities, which can even be used as comparative categories, in particular on aspects of their inscription in the public space and the logic of their social organization, what we will call the production of interculturality. This term calls directly to Foucault's idea of producing social realities, practices and forms of subjectivity through the distribution of power in social relations (Foucault 1975, 1979). Of these modalities, I will highlight an economic aspect, another political and other symbolic that structure peoples repertoires and have direct impact on the way cultural diversity is represented, talked about and strategically displayed in the public space.

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interculturality,governance,repertoires,cultural diversity