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Foá, C. (2023). Platformization of cultural production and crowdfunding: Co-creation dynamics and the multiple roles of digital platforms shaping the Portuguese cultural crowdfunding ecosystem. In Arts and humanities in digital transition: Book of abstracts. (pp. 37-38). Lisboa: Universidade Nova de Lisboa. Faculdade de Ciências Sociais e Humanas .

C. Foa,  "Platformization of cultural production and crowdfunding: Co-creation dynamics and the multiple roles of digital platforms shaping the Portuguese cultural crowdfunding ecosystem", in Arts and humanities in digital transition: Book of abstracts, Lisboa, Universidade Nova de Lisboa. Faculdade de Ciências Sociais e Humanas , 2023, pp. 37-38

@inproceedings{foa2023_1732209332540,
	author = "Foá, C.",
	title = "Platformization of cultural production and crowdfunding: Co-creation dynamics and the multiple roles of digital platforms shaping the Portuguese cultural crowdfunding ecosystem",
	booktitle = "Arts and humanities in digital transition: Book of abstracts",
	year = "2023",
	editor = "",
	volume = "",
	number = "",
	series = "",
	pages = "37-38",
	publisher = "Universidade Nova de Lisboa. Faculdade de Ciências Sociais e Humanas ",
	address = "Lisboa",
	organization = "Universidade Nova de Lisboa",
	url = "https://ah-digitaltransition.fcsh.unl.pt/programme/"
}

TY  - CPAPER
TI  - Platformization of cultural production and crowdfunding: Co-creation dynamics and the multiple roles of digital platforms shaping the Portuguese cultural crowdfunding ecosystem
T2  - Arts and humanities in digital transition: Book of abstracts
AU  - Foá, C.
PY  - 2023
SP  - 37-38
SN  - 0000-0000
CY  - Lisboa
UR  - https://ah-digitaltransition.fcsh.unl.pt/programme/
AB  - Abstract. The dynamics of platformisation of society and cultural production (Van
Dijck, 2020; Nieborg et al., 2019; Serazio et al., 2019) cross the disruption of creative
value chains, the growing contingency of cultural products and the emergence of
new professionals and roles.
The reformulation of cultural products’ meaning, and its disappearance (Bilton,
2017) relate to agents’ structure and power negotiation forces, and their options
for building collaborative, competitive or coopetitive relations (Gandini e Graham,
2017), to create, produce, fund, and disseminate works of art.
GAFAM and global production and promotional industries lay on for profit data-driven
processes, distribution operation and interactions “algorithmically turned” (Nieborg e
Poell, 2018; Napoli, 2014), influencing digital marketing strategies of smaller agents.
The study characterizes the Portuguese cultural crowdfunding ecosystem, composed
by agents featured by roles, strategies, and experiences (Lehner e Harrer,
2019; Quero and Ventura, 2019), discussing the influence of platformization and
social media dominance on collaborative processes.
ER  -