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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA)
Mamédio, D. F., Pina e Cunha, M., Rego, A. & Clegg, S. (N/A). Paradoxes of authenticity in liminal consumption: The case of Casablanca’s Rick’s Café. Journal of Travel Research. N/A
Exportar Referência (IEEE)
D. F. Mamedio et al.,  "Paradoxes of authenticity in liminal consumption: The case of Casablanca’s Rick’s Café", in Journal of Travel Research, vol. N/A, N/A
Exportar BibTeX
@article{mamedioN/A_1724526454892,
	author = "Mamédio, D. F. and Pina e Cunha, M. and Rego, A. and Clegg, S.",
	title = "Paradoxes of authenticity in liminal consumption: The case of Casablanca’s Rick’s Café",
	journal = "Journal of Travel Research",
	year = "N/A",
	volume = "N/A",
	number = "",
	doi = "10.1177/00472875241249414",
	url = "https://journals.sagepub.com/home/JTR"
}
Exportar RIS
TY  - JOUR
TI  - Paradoxes of authenticity in liminal consumption: The case of Casablanca’s Rick’s Café
T2  - Journal of Travel Research
VL  - N/A
AU  - Mamédio, D. F.
AU  - Pina e Cunha, M.
AU  - Rego, A.
AU  - Clegg, S.
PY  - N/A
SN  - 0047-2875
DO  - 10.1177/00472875241249414
UR  - https://journals.sagepub.com/home/JTR
AB  - What makes a “fake” seemingly “authentic”? The case of Rick’s Café, known worldwide for the movie Casablanca, situates that question. Rick’s was a set constructed on a Hollywood sound stage. Another Rick’s was created materially in Casablanca decades later. Consumers are aware of this liminal condition. It is the reflexivity inherent in this awareness of performative inauthenticity that makes the case both appropriate and nuanced as an opportunity to explore paradoxes of authenticity embodied in a tourist place. The authenticity-fakery relationship is considered theoretically, not as a dualism (either-or), but as a duality (both-and). Empirically, the case is analyzed through an onsite investigation and a virtual ethnography. Four paradoxical dimensions of authenticity (liminal environment, liminal interpretation, liminal affectivity, and liminal recreation) are identified. Tourists, we submit, may experience several authenticities (i.e., objective, constructed, and existential) simultaneously and paradoxically, contributing to a reconceptualization of the tourist experience.
ER  -