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Raposo, Otávio (2024). Afrodiasporic Aesthetics in Portugal: Identities, Sociabilities, and Resistance. Black Multiciplities, African Multiciplities? Theorising migration, identity, and blackness from European perspectives.
O. R. Raposo, "Afrodiasporic Aesthetics in Portugal: Identities, Sociabilities, and Resistance", in Black Multiciplities, African Multiciplities? Theorising migration, identity, and blackness from European perspectives, Göttingen, 2024
@misc{raposo2024_1766305137324,
author = "Raposo, Otávio",
title = "Afrodiasporic Aesthetics in Portugal: Identities, Sociabilities, and Resistance",
year = "2024",
howpublished = "Outro",
url = "https://www.mmg.mpg.de/1312332/2024-09-cfp-mft-workshop"
}
TY - CPAPER TI - Afrodiasporic Aesthetics in Portugal: Identities, Sociabilities, and Resistance T2 - Black Multiciplities, African Multiciplities? Theorising migration, identity, and blackness from European perspectives AU - Raposo, Otávio PY - 2024 CY - Göttingen UR - https://www.mmg.mpg.de/1312332/2024-09-cfp-mft-workshop AB - With greater access to digital technologies, which expanded the possibilities for young people to gain visibility, a new Afrodiasporic aesthetic emerged in Portugal in the early 2000s, reinforced by the cultural influences of the “Black Atlantic” and the idea of a “transnational ghetto”. The consolidation of a Black artistic scene (musical, visual, and performative) in the Portuguese capital exemplifies this dynamic, destabilizing discourses that either render Afro-descendant populations invisible or marginalize them. In this presentation, I intend to discuss the influence of Afro-diasporic aesthetics on the production of new knowledge, identities, and imaginaries, as well as their implications in countering a hegemonic vision of Portuguese identity constructed through the lens of whiteness. ER -
English