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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA) 
Pereira, Cláudia (2014). The Music of the Catholic and Hindu Gaudde: Voicing the Unheard through Heritage. In Savio Abreu and Rudolf C. Heredia (Ed.), Goa 2011: Reviewing and Recovering Fifty Years. (pp. 95-102). New Delhi: Concept Publishing Company Pvt. Ltd.
Exportar Referência (IEEE) 
C. P. Pereira,  "The Music of the Catholic and Hindu Gaudde: Voicing the Unheard through Heritage", in Goa 2011: Reviewing and Recovering Fifty Years, Savio Abreu and Rudolf C. Heredia, Ed., New Delhi, Concept Publishing Company Pvt. Ltd., 2014, pp. 95-102
Exportar BibTeX 
@incollection{pereira2014_1722097733735,
	author = "Pereira, Cláudia",
	title = "The Music of the Catholic and Hindu Gaudde: Voicing the Unheard through Heritage",
	booktitle = "Goa 2011: Reviewing and Recovering Fifty Years",
	year = "2014",
	volume = "",
	series = "",
	edition = "",
	pages = "95-95",
	publisher = "Concept Publishing Company Pvt. Ltd.",
	address = "New Delhi",
	url = ""
}
Exportar RIS 
TY  - CHAP
TI  - The Music of the Catholic and Hindu Gaudde: Voicing the Unheard through Heritage
T2  - Goa 2011: Reviewing and Recovering Fifty Years
AU  - Pereira, Cláudia
PY  - 2014
SP  - 95-102
CY  - New Delhi
AB  - My main thrust is that the dances and songs of the Catholic Gaudde performed in specific religious rituals, formerly repressed during the Portuguese
colonialism for not being Catholic and considered as heretic are nowadays repositioned under the marketing of tourism as an authentic cultural form of Goa’s heritage that resisted its colonial past.
The Gaudde, an unprivileged social group, therefore, use the historical past in Goa to show their previous invisible resistance to the Portuguese governors, a lesser known aspect of colonialism in Goa. The Gaudde transformed the memory of their colonial resilience as Goan heritage, marketing it as pre-Portuguese. To this day, their Catholic dharma encompasses dances and music that are still similar to those of the
Hindu Gaudde—the group they belonged to before they converted to Christianity—and so the words of their songs must be interpreted in the light of Hindu ritual logic, albeit the names of gods have been replaced by those of Christian saints, to whom they pray.
ER  -