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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA) 
Cardoso, G., Caetano, M. A., Espanha, R., Jacobetty, P & Quintanilha, Tiago Lima (2012). P2P in the networked future of European cinema. International Journal of Communication. 6 (1), 795-821
Exportar Referência (IEEE) 
G. A. Cardoso et al.,  "P2P in the networked future of European cinema", in Int. Journal of Communication, vol. 6, no. 1, pp. 795-821, 2012
Exportar BibTeX 
@article{cardoso2012_1734877460743,
	author = "Cardoso, G. and Caetano, M. A. and Espanha, R. and Jacobetty, P and Quintanilha, Tiago Lima",
	title = "P2P in the networked future of European cinema",
	journal = "International Journal of Communication",
	year = "2012",
	volume = "6",
	number = "1",
	pages = "795-821",
	url = "http://ijoc.org/index.php/ijoc/article/view/693"
}
Exportar RIS 
TY  - JOUR
TI  - P2P in the networked future of European cinema
T2  - International Journal of Communication
VL  - 6
IS  - 1
AU  - Cardoso, G.
AU  - Caetano, M. A.
AU  - Espanha, R.
AU  - Jacobetty, P
AU  - Quintanilha, Tiago Lima
PY  - 2012
SP  - 795-821
SN  - 1932-8036
UR  - http://ijoc.org/index.php/ijoc/article/view/693
AB  - The new peer-to-peer (P2P) technologies have impacted the film industry, which advocates sanctions against the downloading and sharing of products found on the Internet. But the economic effect of file sharing on the film industry remains difficult to determine. In this article, we ask whether file sharing networks will affect the survival or potential growth of European cinema. The steady decline in traditional film distribution channels for European productions—cinema theatres and direct sales or renting—is leading to the emergence of new distribution channels. And yet the results of the movie industry’s calls—including those voiced by its European players—for stronger legislation against these same distribution channels are making their way through Europe by means of enforcement tools like HADOPI and other graduated response programs. Our hypothesis is that this offensive runs the risk of condemning a potential open distribution network and commons business model at its birth. For this, we start by clarifying the emerging global P2P phenomenon; we then stipulate what we mean by European cinema, outline its peculiar traits, and contrast it with North American cinema. Finally, we compare the consumption of European film in theatres with the availability of seeds and leechers for European cinema in P2P networks.
ER  -