Exportar Publicação

A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA) 
Anabela Pereira (2014). The discursive analysis of body representation: a critical, realistic and embodied overview. Portuguese Journal of Social Science. 13 (1), 75-92
Exportar Referência (IEEE) 
A. D. Pereira,  "The discursive analysis of body representation: a critical, realistic and embodied overview", in Portuguese Journal of Social Science, vol. 13, no. 1, pp. 75-92, 2014
Exportar BibTeX 
@article{pereira2014_1732357165466,
	author = "Anabela Pereira",
	title = "The discursive analysis of body representation: a critical, realistic and embodied overview",
	journal = "Portuguese Journal of Social Science",
	year = "2014",
	volume = "13",
	number = "1",
	doi = "10.1386/pjss.13.175_1",
	pages = "75-92",
	url = "http://pjss.iscte.pt/index.php/pjss"
}
Exportar RIS 
TY  - JOUR
TI  - The discursive analysis of body representation: a critical, realistic and embodied overview
T2  - Portuguese Journal of Social Science
VL  - 13
IS  - 1
AU  - Anabela Pereira
PY  - 2014
SP  - 75-92
SN  - 1476-413X
DO  - 10.1386/pjss.13.175_1
UR  - http://pjss.iscte.pt/index.php/pjss
AB  - The aim of this article is to acknowledge the implications of addressing the visual representation of the body from a critical and realistic discursive perspective. Besides allowing the identification of the mechanisms for the artist’s name and work-recognition this perspective has allowed the study of body representation as language and as a common system of meanings, not just giving attention to the forms of connection between the image and speech or written text, but also to the rules, practices and social relations that produced and governed them. Also it has permitted interrogation of and reflection on the relation between two important categories used in the analysis of self-representation, that is, the relation between‘artist’s identity’ and ‘work’s identity’ in the cases of Helena Almeida and Jorge Molder, whose works are characterized and recognized by the specific use of the artists body figures.
ER  -