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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA) 
Anabela da Conceição Pereira (2012). Contrasting (Power of) Visual and Textual Discourses in Art Studies - A Critical Perspective. 83rd PSA Annual Meeting, Intersectionalities and Inequalities: Knowledge and Power for the 21st Century. San Diego, CA, USA. March 22-25, 2012.
Exportar Referência (IEEE) 
A. D. Pereira,  "Contrasting (Power of) Visual and Textual Discourses in Art Studies - A Critical Perspective", in 83rd PSA Annu. Meeting, Intersectionalities and Inequalities: Knowledge and Power for the 21st Century. San Diego, CA, USA. March 22-25, 2012. , San Diego, Califórnia, 2012
Exportar BibTeX 
@misc{pereira2012_1714706533648,
	author = "Anabela da Conceição Pereira",
	title = "Contrasting (Power of) Visual and Textual Discourses in Art Studies - A Critical Perspective",
	year = "2012",
	howpublished = "Outro",
	url = "http://www.thepacificsociologist.org/jan12/preprogram_0112.html"
}
Exportar RIS 
TY  - CPAPER
TI  - Contrasting (Power of) Visual and Textual Discourses in Art Studies - A Critical Perspective
T2  - 83rd PSA Annual Meeting, Intersectionalities and Inequalities: Knowledge and Power for the 21st Century. San Diego, CA, USA. March 22-25, 2012. 
AU  - Anabela da Conceição Pereira
PY  - 2012
CY  - San Diego, Califórnia
UR  - http://www.thepacificsociologist.org/jan12/preprogram_0112.html
AB  - This article begins with the assumption that visual discourse is a question of exploring the hermeneutic potentials and epistemological emergence of images as depending on individual perception, ways of seeing, and social interaction, strengthening their agency to ascertain the power, significance, and recognition of images as aesthetical symbols,  as meaning-making processes. Studying how people transform visual experiences in ambiguous narratives about images, we present a case study about two worldwide known Portuguese artists (Helena Almeida and Jorge Molder) in which we understand the notion of the agency of image as an original means of interpreting social and cultural experiences. We developed an image based  analysis grounded in the principles of a critical discourse analysis, contrasting the visual image with their textual readings. 
ER  -