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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA)
Ochoa, A. (2014). The interaction between urban form and public art. Two examples on Lisbon’s waterfront. In Proceedings Book of the 21st International Seminar on Urban Form: ISUF 2014. Porto:  Universidade do Porto - Faculdade de Engenharia .
Exportar Referência (IEEE)
A. R. Castro,  "The interaction between urban form and public art. Two examples on Lisbon’s waterfront", in Proc. Book of the 21st Int. Seminar on Urban Form: ISUF 2014, Porto,  Universidade do Porto - Faculdade de Engenharia , 2014
Exportar BibTeX
@inproceedings{castro2014_1714712307438,
	author = "Ochoa, A.",
	title = "The interaction between urban form and public art. Two examples on Lisbon’s waterfront",
	booktitle = "Proceedings Book of the 21st International Seminar on Urban Form: ISUF 2014",
	year = "2014",
	editor = "",
	volume = "",
	number = "",
	series = "",
	publisher = " Universidade do Porto - Faculdade de Engenharia ",
	address = "Porto",
	organization = ""
}
Exportar RIS
TY  - CPAPER
TI  - The interaction between urban form and public art. Two examples on Lisbon’s waterfront
T2  - Proceedings Book of the 21st International Seminar on Urban Form: ISUF 2014
AU  - Ochoa, A.
PY  - 2014
CY  - Porto
AB  - In our contemporary cities, public art plays an important role, in urban regeneration processes and
in the construction of social identities. Its placement on the public space raises several questions:
which spaces are elected for the implementation of public art? In those spaces, what kind of
relations are established between its morphologic characteristics and the new interventions?
Finally, is it possible to identify models of placement?
Despite the lack of systematization of these themes, some authors focuses on the interaction
between urban space and public art, in a framework that positions it across different disciplines.
In Lisbon, the criteria for the placement of public art are not always evident. Most of the times, there
is not a true spatial integration. In this sense, this paper proposes an analysis of two artistic
interventions, on Lisbon’s waterfront: 
ER  -