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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA)
Cameira, E. (2008). The first Portuguese art agency: a case study. Portuguese Journal of Social Science. 7 (2), 131-147
Exportar Referência (IEEE)
E. C. Cameira,  "The first Portuguese art agency: a case study", in Portuguese Journal of Social Science, vol. 7, no. 2, pp. 131-147, 2008
Exportar BibTeX
@article{cameira2008_1715514751817,
	author = "Cameira, E.",
	title = "The first Portuguese art agency: a case study",
	journal = "Portuguese Journal of Social Science",
	year = "2008",
	volume = "7",
	number = "2",
	doi = "10.1386/pjss.7.2.131_1",
	pages = "131-147",
	url = "https://www.ingentaconnect.com/content/intellect/pjss/2008/00000007/00000002/art00004"
}
Exportar RIS
TY  - JOUR
TI  - The first Portuguese art agency: a case study
T2  - Portuguese Journal of Social Science
VL  - 7
IS  - 2
AU  - Cameira, E.
PY  - 2008
SP  - 131-147
SN  - 1476-413X
DO  - 10.1386/pjss.7.2.131_1
UR  - https://www.ingentaconnect.com/content/intellect/pjss/2008/00000007/00000002/art00004
AB  - At a time when new places for art are emerging, the search for a critical reflection on agents and dealership processes is extremely relevant, in an attempt to attain something new that is sociologically significant and also able, perhaps, to contribute to an understanding of certain features of the present context of the Portuguese contemporary art space. The general questions at the base of this article are as follows: appearing in December 2003, what did the ‘Vera Cortês–Art Agency’ model bring to the space of contemporary art? How is it to be understood within that same panorama? An art agency not taken in a merely descriptive sense but as an ‘immersion zone’, in an attempt to unveil a nexus of reciprocal interactions, i.e. by creating a dialogue between the configuration of the artistic field and the singularity of the case-study and then seeing how they question each other, and how both question the paradigms and the sociological corpus relating to art.
ER  -