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Export Reference (APA) 
Raposo, P. (2018). Performance, activism and public sphere: Archive, repertoire and reperformance in the new new social movements. In Ana Pais (Ed.), Performance in the public sphere. (pp. 418-439). Lisboa: Orfeu Negro.
Export Reference (IEEE) 
P. J. Raposo,  "Performance, activism and public sphere: Archive, repertoire and reperformance in the new new social movements", in Performance in the public sphere, Ana Pais, Ed., Lisboa, Orfeu Negro, 2018, pp. 418-439
Export BibTeX 
@incollection{raposo2018_1716022781756,
	author = "Raposo, P.",
	title = "Performance, activism and public sphere: Archive, repertoire and reperformance in the new new social movements",
	chapter = "",
	booktitle = "Performance in the public sphere",
	year = "2018",
	volume = "",
	series = "",
	edition = "",
	pages = "418-418",
	publisher = "Orfeu Negro",
	address = "Lisboa",
	url = "https://files.cargocollective.com/c191796/Performance_in_the_Public_Sphere.pdf"
}
Export RIS 
TY  - CHAP
TI  - Performance, activism and public sphere: Archive, repertoire and reperformance in the new new social movements
T2  - Performance in the public sphere
AU  - Raposo, P.
PY  - 2018
SP  - 418-439
CY  - Lisboa
UR  - https://files.cargocollective.com/c191796/Performance_in_the_Public_Sphere.pdf
AB  - Reenactment (or re-performance) is a useful political category to consider the various forms of protest and even the logics of the hashtag as the re-appropriation of a full public life. These text pretend to reflects on the forms of digital sociability as political action. Aside from constituting fast media for the circulation of information and opinions, crucial in mobilizing public protests, social networks are also tools for political activism that resort to different forms of performativity. 
ER  -