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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA) 
Novak, N. (2021). Practical geopolitics in cinematic narratives of Marvel’s The Avengers film franchise. Central European Journal of International and Security Studies. 15 (2), 4-22
Exportar Referência (IEEE) 
N. Novak,  "Practical geopolitics in cinematic narratives of Marvel’s The Avengers film franchise", in Central European Journal of Int. and Security Studies, vol. 15, no. 2, pp. 4-22, 2021
Exportar BibTeX 
@article{novak2021_1732187090917,
	author = "Novak, N.",
	title = "Practical geopolitics in cinematic narratives of Marvel’s The Avengers film franchise",
	journal = "Central European Journal of International and Security Studies",
	year = "2021",
	volume = "15",
	number = "2",
	doi = "10.51870/CEJISS.XKVV3716",
	pages = "4-22",
	url = "http://www.cejiss.org/"
}
Exportar RIS 
TY  - JOUR
TI  - Practical geopolitics in cinematic narratives of Marvel’s The Avengers film franchise
T2  - Central European Journal of International and Security Studies
VL  - 15
IS  - 2
AU  - Novak, N.
PY  - 2021
SP  - 4-22
SN  - 1802-548X
DO  - 10.51870/CEJISS.XKVV3716
UR  - http://www.cejiss.org/
AB  - This article implies that cinematic narratives project practical geopolitical discourses by using the example of Marvel Cinematic Universe’s success – The Avengers film franchise. The conceptualisation 
of imaginary threats in the films that follow the main storyline of the Avengers assembly, determined by the time and the geographic space, give those threats a  symbolical manifestation that tends to overlap 
with the practical geopolitical notions of American foreign policy, as well as contemporary international politics. The interpretative textual analysis of the films’ narratives and their relations to world politics, 
hence, presents the central methodology of this article. The relation between those two has a capacity to transmit a subconscious message to blockbusters’ consumers about preferable practical geopolitical visions in contemporary world politics. Simply, the paper shows how cinematic narratives form an identity that is deeply securitised and able to capture the Zeitgeist of world’s politics.
ER  -