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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA)
Oliveira, A. (2023). Another typical day at the office: Working life in the Portuguese independent music scene. Ethnomusicology Review . 24, 23-42
Exportar Referência (IEEE)
A. S. Oliveira,  "Another typical day at the office: Working life in the Portuguese independent music scene", in Ethnomusicology Review , vol. 24, pp. 23-42, 2023
Exportar BibTeX
@article{oliveira2023_1783056873188,
	author = "Oliveira, A.",
	title = "Another typical day at the office: Working life in the Portuguese independent music scene",
	journal = "Ethnomusicology Review ",
	year = "2023",
	volume = "24",
	number = "",
	pages = "23-42",
	url = "https://ethnomusicologyreview.ucla.edu/journal/volume/24/piece/1094"
}
Exportar RIS
TY  - JOUR
TI  - Another typical day at the office: Working life in the Portuguese independent music scene
T2  - Ethnomusicology Review 
VL  - 24
AU  - Oliveira, A.
PY  - 2023
SP  - 23-42
SN  - 2164-4578
UR  - https://ethnomusicologyreview.ucla.edu/journal/volume/24/piece/1094
AB  - The analysis of music scenes in urban contexts has traditionally focused on music production practices, without giving relevance to how these very practices are grounded in the
organizational and economic dynamics that characterize the cultural and creative economy.
However, several authors have advocated for a broader understanding of contemporary
forms of music production, towards the consideration of the professional and economic
dimension of musical activity (Tarassi 2018). These authors acknowledged the urgency
to look at music production as a professional activity, which requires a set of skills that
go beyond musical ability and which encompasses management and negotiation skills,
like any other professional career. It is therefore important to understand how music and
work in music are taken at the intersection between art, creativity, and economy; how
trajectories in music are constructed; what strategies are mobilized by musicians, and the
different actors that compose the musical field to ensure the sustainability and economic
viability of their trajectories; what are their working conditions and consequent impacts
on their daily lives, in a contemporary context.
ER  -