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A publicação pode ser exportada nos seguintes formatos: referência da APA (American Psychological Association), referência do IEEE (Institute of Electrical and Electronics Engineers), BibTeX e RIS.

Exportar Referência (APA)
Sequeira, Marta (2022). TAP. Theatre and Auditorium, Poitiers. France. TC Cuadernos. 154-155, 158-181
Exportar Referência (IEEE)
M. S. Carneiro,  "TAP. Theatre and Auditorium, Poitiers. France.", in TC Cuadernos, no. 154-155, pp. 158-181, 2022
Exportar BibTeX
@article{carneiro2022_1714287058725,
	author = "Sequeira, Marta",
	title = "TAP. Theatre and Auditorium, Poitiers. France.",
	journal = "TC Cuadernos",
	year = "2022",
	volume = "",
	number = "154-155",
	pages = "158-181",
	url = "https://www.tccuadernos.com/en/monographs/544-carrilho-da-graca-architecture-tc-154.html"
}
Exportar RIS
TY  - JOUR
TI  - TAP. Theatre and Auditorium, Poitiers. France.
T2  - TC Cuadernos
IS  - 154-155
AU  - Sequeira, Marta
PY  - 2022
SP  - 158-181
SN  - 1136-906X
UR  - https://www.tccuadernos.com/en/monographs/544-carrilho-da-graca-architecture-tc-154.html
AB  - The Theatre and Auditorium of Poitiers is located at the edge of the historic city centre, on a steep slope that descends vertiginously towards the railway line and the high-speed train station. In the continuity of the urban fabric, the complex appears as a limestone acropolis – constituting a public terrace with a visual dominance over the landscape of the Boivre river valley – on which stand, suspended, the crystalline-looking parallelepiped volumes of an auditorium and a theatre. While the auditorium, with around 1,000 seats, supports a very specific programme, the theatre, with around 700 seats, supports an informal, multipurpose
programme. The auditorium consists of a parallelepiped room with a fl at audience – avoiding primary and fragmented absorption – and with a width of less than 21 metres – highlighting the lateral reflections. The wooden covering of the side walls is a quadratic diffusion system, redistributing the sound in a homogeneous
way, so that all spectators receive the music simultaneously and without energy loss. The floor and the stage, also made of wood, do not contain a single metal part. Apart from the audience, it is possible to watch the concert from a row of chairs in the galleries, or from three rows that, placed behind the stage, allow
a reverse listening.
ER  -