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Sequeira, M. (2022). Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008). In Marta Sequeira (Ed.), Flashback: Carrilho da Graça. (pp. 120-133). Matosinhos: Casa da Arquitectura.

M. S. Carneiro,  "Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)", in Flashback: Carrilho da Graça, Marta Sequeira, Ed., Matosinhos, Casa da Arquitectura, 2022, pp. 120-133

@incollection{carneiro2022_1766691939982,
	author = "Sequeira, M.",
	title = "Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)",
	chapter = "",
	booktitle = "Flashback: Carrilho da Graça",
	year = "2022",
	volume = "",
	series = "",
	edition = "",
	pages = "120-120",
	publisher = "Casa da Arquitectura",
	address = "Matosinhos",
	url = "https://www.circodeideias.pt/en/produto/flashback-carrilho-da-graca-en/ "
}

TY  - CHAP
TI  - Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)
T2  - Flashback: Carrilho da Graça
AU  - Sequeira, M.
PY  - 2022
SP  - 120-133
CY  - Matosinhos
UR  - https://www.circodeideias.pt/en/produto/flashback-carrilho-da-graca-en/ 
AB  - The Saint Anthony’s Church and São Bartolomeu Social Centre project was realised on a plot of land in the Bairro dos Assentos — an area on the outskirts of Portalegre, built in the 1970s, poorly structured from an architectural point of view, but where a very significant percentage of the population lives. On this piece of land with about eight meters of height diferential, several scattered outcrops of quartzite — a type of metamorphic rock whose predominance marks the city’s landscape — were found. The strategy defined by the architect was to excavate the plot’s slope, exposing the rock and highlighting it as the space’s protagonist. The setting then becomes a scenographic device, forming a continuum that takes us from the street to the rock. From the main façade, it becomes possible to visually tour the entire building — passing through the entrance portico, the churchyard and the worship space, and ending at the rock that is revealed behind the altar — as if it were a kind of monumental Baroque relief in gilded carving, in a contained exterior space.
ER  -