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The publication can be exported in the following formats: APA (American Psychological Association) reference format, IEEE (Institute of Electrical and Electronics Engineers) reference format, BibTeX and RIS.

Export Reference (APA) 
Sequeira, M. (2022). Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008). In Marta Sequeira (Ed.), Flashback: Carrilho da Graça. (pp. 120-133). Matosinhos: Casa da Arquitectura.
Export Reference (IEEE) 
M. S. Carneiro,  "Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)", in Flashback: Carrilho da Graça, Marta Sequeira, Ed., Matosinhos, Casa da Arquitectura, 2022, pp. 120-133
Export BibTeX 
@incollection{carneiro2022_1764931800449,
	author = "Sequeira, M.",
	title = "Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)",
	chapter = "",
	booktitle = "Flashback: Carrilho da Graça",
	year = "2022",
	volume = "",
	series = "",
	edition = "",
	pages = "120-120",
	publisher = "Casa da Arquitectura",
	address = "Matosinhos",
	url = "https://www.circodeideias.pt/en/produto/flashback-carrilho-da-graca-en/ "
}
Export RIS 
TY  - CHAP
TI  - Saint Anthony's chrurch and São Bartolomeu Social Centre, Portalegre (1993–2008)
T2  - Flashback: Carrilho da Graça
AU  - Sequeira, M.
PY  - 2022
SP  - 120-133
CY  - Matosinhos
UR  - https://www.circodeideias.pt/en/produto/flashback-carrilho-da-graca-en/ 
AB  - The Saint Anthony’s Church and São Bartolomeu Social Centre project was realised on a plot of land in the Bairro dos Assentos — an area on the outskirts of Portalegre, built in the 1970s, poorly structured from an architectural point of view, but where a very significant percentage of the population lives. On this piece of land with about eight meters of height diferential, several scattered outcrops of quartzite — a type of metamorphic rock whose predominance marks the city’s landscape — were found. The strategy defined by the architect was to excavate the plot’s slope, exposing the rock and highlighting it as the space’s protagonist. The setting then becomes a scenographic device, forming a continuum that takes us from the street to the rock. From the main façade, it becomes possible to visually tour the entire building — passing through the entrance portico, the churchyard and the worship space, and ending at the rock that is revealed behind the altar — as if it were a kind of monumental Baroque relief in gilded carving, in a contained exterior space.
ER  -