Exportar Publicação

Branco, C., Dias, J. & Diniz, N. (2007). Nausea Transformer. In Marc Alexa, Adam Finkelstein (Ed.), Proceedings of SIGGRAPH 2007. (pp. 47–es). San Diego: Association for Computing Machinery New York NY United States.

C. Branco et al.,  "Nausea Transformer", in Proc. of SIGGRAPH 2007, Marc Alexa, Adam Finkelstein, Ed., San Diego, Association for Computing Machinery New York NY United States, 2007, pp. 47–es

@inproceedings{branco2007_1732209435405,
	author = "Branco, C. and Dias, J. and Diniz, N.",
	title = "Nausea Transformer",
	booktitle = "Proceedings of SIGGRAPH 2007",
	year = "2007",
	editor = "Marc Alexa, Adam Finkelstein",
	volume = "",
	number = "",
	series = "",
	doi = "https://dl.acm.org/doi/10.1145/1280720.1280772",
	pages = "47–es",
	publisher = "Association for Computing Machinery New York NY United States",
	address = "San Diego",
	organization = "Association for Computing Machinery",
	url = "https://dl.acm.org/doi/10.1145/1280720.1280772"
}

TY  - CPAPER
TI  - Nausea Transformer
T2  - Proceedings of SIGGRAPH 2007
AU  - Branco, C.
AU  - Dias, J.
AU  - Diniz, N.
PY  - 2007
SP  - 47–es
DO  - https://dl.acm.org/doi/10.1145/1280720.1280772
CY  - San Diego
UR  - https://dl.acm.org/doi/10.1145/1280720.1280772
AB  - The word "noise" comes from the Latin word nausea, meaning "seasickness", or from a derivative (perhaps Latin noxia) of Latin noceo = "I do harm", referring initially to nuisance noise. Generally, all non-musical sounds are considered to be noise. Noise is a complex concept and source material; it is an invisible architectural element with undefined aesthetics. It profoundly affects people, and yet people feel very powerless to interact with or control it. The fundamental idea is to turn noise into a reprocessed living, evolving and tangible experience by interacting spatially and temporally with the environment and its observers. We aim to raise people's awareness to sound in all its forms: speech, non-speech sound (sound pollution sources) or natural sound, and treat it like data with a corporeal dimension. We aspire to convey an embodiment of an often neglected "hidden dimension", by adding it to a phenomenology and a poetics of visual space. Building up on our research in interactive membranes [1] [2], we introduce "Nausea Transformer": a sound reprocessed machine that unexpectedly can create pleasant behaviours by recycling noise into pleasant sound, therefore promoting new interactive experiences to a nearby audience.
ER  -