For peripheral territories, such as rural areas or small sized cities, investing on creative-based tourism as a wide process involving artistic creation and the co-creation or accumulation of aesthetic and symbolic knowledge can be a good and complementary strategy for territorial enhancement. From a planning perspective, the idea of linking creative dynamics and tourism is generally supported by arguments such as: an opportunity for territorial, economic and social regeneration to diversify the structure of the tourism sector; to retain population and revitalize their cultural and social heritage; to enhance creative milieus and foster organic territorial dynamics, reflecting the “sense of place” and the unique and intangible characteristics of local communities (Richards & Wilson, 2006). The way tourists can be embedded in the local cultures to find out about place identities and explore the authenticity of local intangible heritage highlights the role of tourists as co-creators of knowledge and co-producers of experiences (Binkhorst, 2007), but also the active role that the host communities can (and should) play in the process. Taking the CREATOUR project as an example — a project currently being implemented at national level in Portugal (Norte, Centro, Alentejo, and Algarve NUTS II regions) aiming to develop and pilot an integrated approach and research agenda for creative-based tourism in small cities and rural areas – this communication intends to present some preliminary results of this pioneering experience in Portugal. The discussion will focus the co-creation process of places and cultural experiences and some expected impacts induced on territories and local communities where the creative-based tourism activities are being implemented.

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