The analysis of music scenes in urban contexts has traditionally focused on music production practices, without giving relevance to how these very practices are grounded in the organizational and economic dynamics that characterize the cultural and creative economy. However, several authors have advocated for a broader understanding of contemporary forms of music production, towards the consideration of the professional and economic dimension of musical activity (Tarassi 2018). These authors acknowledged the urgency to look at music production as a professional activity, which requires a set of skills that go beyond musical ability and which encompasses management and negotiation skills, like any other professional career. It is therefore important to understand how music and work in music are taken at the intersection between art, creativity, and economy; how trajectories in music are constructed; what strategies are mobilized by musicians, and the different actors that compose the musical field to ensure the sustainability and economic viability of their trajectories; what are their working conditions and consequent impacts on their daily lives, in a contemporary context.

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