In “The Canon and the Void,” Meltem Gürel and Kathryn Anthony highlight the persistent absence of women architects in the historiography of North American architecture schools, a gap first identified by Karen Kingsley in the 1980s. This lack of representation extends beyond education into professional inequality, rooted in the historical neglect of female contributions to architecture. In response, recent Portuguese-speaking scholarship has begun addressing the roles of women architects in former Portuguese colonial territories in Africa. This presentation focuses on five women—Carlota Quintanilha, Antonieta Jacinto, Maria Emília Caria, Ana Torres, and Assunção Paixão—who played distinct professional roles from the 1950s to the 1970s. These women include forerunners supported by family, experts tackling regional challenges during the colonial wars, and African locals who maintained public works during transitions to independence. The study aims to explore how their presence influenced various actors and agendas during these transformative periods.

Women architects in former Portuguese colonial Africa: gender and struggle for professional recognition (1953-1985)

Women architects,Colonial architecture,Carlota Quintanilha,Antonieta Jacinto,Maria Emília Caria,Ana Torres,Assunção Paixão,Angola,Cape Verde,Guinea-Bissau,Mozambique

• Outras Humanidades - Humanidades

Esta publicação é um output do(s) seguinte(s) projeto(s):

• Architecture, Colonialism and Labour. The role and legacy of mass labour in the design, planning and construction of Public Works in former African territories under Portuguese colonial rule
• Mulheres Arquitectas na antiga África Colonial Portuguesa: género e luta pelo reconhecimento profissional (1953-1985)