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Publication Detailed Description
Journal Title
Visual Studies
Year (definitive publication)
2020
Language
English
Country
United Kingdom
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Abstract
In this article we will discuss the use of drones, as well as the visual simulation of drone afforded aesthetics, by activists, artists and protesters. We use the existing literature of surveillance studies and visual studies to examine how exactly a drone-afforded visibility emerges and how it mediates the visibility of a particular community or space of contention. We draw on the concepts of “surveillance capacities” and (counter) visibility practices to analyse the process and production of drone (and drone-simulated) counter surveillant artist/activist visibility.
Acknowledgements
FCT
Keywords
Fields of Science and Technology Classification
- Political Science - Social Sciences
- Media and Communications - Social Sciences
- Arts (arts, history of arts, performing arts, music) - Humanities
Funding Records
Funding Reference | Funding Entity |
---|---|
UID/SOC/03126/2019 | Fundação para a Ciência e a Tecnologia |
Contributions to the Sustainable Development Goals of the United Nations
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