Cr-IA Med-IA emerges from the intersection of creativity and intentionality in human communication, aligning with the technological, productive and economical dynamics that govern the media system. It aims to monitor and analyse how, and to what extent, the adoption of new technologies supported by Artificial Intelligence (AI) systems influences and transforms the social and economic processes related to communication, as well as the creation and distribution of digital content. These processes—creative, cognitive, behavioural, strategic, and economic—intersect in the production, dissemination, and consumption of media content, both in the journalistic sector and in the broader landscape of media production and the creative industries. Cr-IA Med-IA investigates the modes of introduction and adoption of technologies in creative, communicative, and entertainment processes, as well as in the professional activities of individuals and organisations. It considers aspects such as algorithmic literacy and AI literacy, the evolution of sociotechnical imaginaries, and their implications for professional work and user behaviour in terms of selection, preference, verification, trust-building, loyalty, collaboration, and media consumption on digital platforms. The project seeks to examine these dynamics as  essential elements in adapting professional strategies and fostering more collaborative and transparent interactions in the digital environment. It underscores the importance of a critical and informed approach to AI adoption, aiming to maximise benefits while mitigating the risks associated with its integration into creative and media consumption processes. Furthermore, Cr-IA Med-IA seeks to contextualise behaviours and practices, producing up-to-date and relevant knowledge for the academic community and civil society across various sectors, contributing to the development of regulatory frameworks and public policy. Cr-IA Med-IA is a dynamic and open project, welcoming ...

Investigar o ecossistema de inovação digital português, para caracterizar e dar mais visibilidade e reduzir as barreiras de entrada aos empreendedores africanos e afrodescendentes. O projeto de investigação constitui um estudo exploratório que visa constituir um ponto de partida essencial para o desenvolvimento de estratégias, programas e incentivos para a criação de um ambiente mais equitativo para os afro-empreendedores em Portugal.  

IBERIFIER is an Iberian hub that aims to tackle disinformation in Spain and Portugal by bringing together aconsortium of 23 partners, composed of 12 universities, 5 independent fact-checking organisations and publicly-owned news agencies, and 6 leading institutions on strategic analysis, computer and data science, and mediaresearch. With the support of public authorities of both countries, relevant media organisations, several scientific andprofessional associations, as well as some other stakeholders, the activities of this Action comprise: (1) scientificresearch and analysis for the security and development of the Iberian digital media ecosystem; (2) fact-checking inthree languages (Spanish, Portuguese, and Catalan); (3) computer and data research aimed at developing systemsfor early detection of disinformation; (4) strategic analyses about the impacts of disinformation on areas such aspolitics, economy, social and security issues, science and technology, and the media industry; and (5) developmentof media literacy, through a set of activities targeted mainly to young people, journalists and citizens in general.Although the consortium focuses its activities on Spain and Portugal, its impacts are expected to reach far beyondthese two countries, thus contributing to the overall strategy and goals of the European Digital Media Observatory.Thanks to the international dimension of some of the consortium partners, as well as the set of scientific,communication and dissemination activities planned, IBERIFIER aims to have impact in the socio-cultural andlinguistic area that comprises all the Iberian-American region as well as some other countries in Africa and Asia,where Spanish and Portuguese languages are spoken by more than 600 million people, spread over 21 Spanish-speaking and 9 Portuguese-speaking countries.

The EUMEPLAT project aims at analyzing the role of media platforms in fostering or dismantling European identity. The assumption we will draw on is that European dimension has rarely been dominant in media history. In most cases – i.e., movie – market shares are mainly divided among national productions and importations from the most influential country. In broadcasting both regional and national patterns emerge, with properly European exchanges being the exception more than the rule. Web platforms are usually owned by US companies, with a new threat appearing in our media landscape. We will focus on the “platformization” process, as the rise of new closed Web architectures, so as to inquire its positive and negative externalities, functional and dis-functional consequences. Positive externalities are beneficial to society at large, in a way that explains the overall ambition of the project. Detecting the insurgence of negative effects is a fundamental duty for scholars and policy-makers, as externalities of both kinds tend to reinforce themselves, giving rise to positive loop feedbacks and critical vicious circles. Negative externalities include misinformation, toxic debate, exclusion of independent voices; positive externalities encompass European co-productions, or practices able to bring people out of the information bubble. For this purpose, we will run a multidisciplinary analysis of platformization in three fields: news, video sharing, media representations, with the final goal to offer a theoretical synthesis. The research question is whether or not new platforms – YouTube, Netflix, NewsFeed - are making European culture more European, based on indicators related to production, consumption and representation. Patterns will be detected by comparing national, regional and European and level. Advanced methods will be applied for data analysis, so as to provide guidelines for decision-makers (i.e., fake news prevention; best practices in co-productions).

 The Portuguese Observatory on Cultural Activities (OPAC) is an structure constituted within the framework of the Centre for Research and Studies in Sociology of ISCTE--University Institute of Lisbon in December 2018, which is responsible for its scientific coordination and functioning. Its mission is the study, production and public availability of rigorous and updated information in the different cultural domains in order to contribute to the current debates in Portuguese society and to the formulation, monitoring and evaluation of public policies.

Edition of the results of visitors survey of nine national museums: Museu Nacional dos Coches, Museu Nacional de Grão Vasco, Museu Nacional do Teatro e da Dança, Museu Nacional do Traje, Museu Nacional da Música, Museu Nacional de Etnologia, Museu Nacional de Arte Contemporânea - Museu do Chiado, Museu Monográfico de Conimbriga - Museu Nacional e Casa-Museu Dr. Anastácio Gonçalves.

Edition of the overall results of the Study and of five participant museums: Museu Nacional de Arqueologia, Museu Nacional de Arte Antiga, Museu Nacional do Azulejo, Museu Nacional de Machado de Castro e Museu Nacional Soares dos Reis.